The harp part has been arranged based on the reduction of the orchestra on the piano, by harpist Sophie Clavel.

The harp part has 10 pages, with fingerings and pedals markings.

The flûte part has 4 pages and stays identical to the original.

The harp part has been arranged by harpist Sophie Clavel and has 5 pages.

Fingerings and pedals are written down.

The flute part can be played on the violin as well and is on 2 pages. It is identical to the original version.

Listen on youtube: https://www.youtube.com/watch?v=yPAPqFHFMVw

This Sonata by Donizetti was originally written for flûte and piano.

It starts with an introduction in c minor up to the Allegro in C Major till  the end of the piece.

Arranged for the harp by harpist Sophie Clavel, this sonata should not be confused with the one for flute or violin and harp which is built in the same fashion, with an introduction in g minor followed by the Gallembert Variations in G Major.

The harp part has 13 pages with fingerings and pedals markings.

The flute or violin part has 3 pages and stays indentical to the original.

This Sonata by Donizetti was originally written for flûte and piano.

It starts with an introduction in c minor up to the Allegro in C Major till  the end of the piece.

Arranged for the harp by harpist Sophie Clavel, this sonata should not be confused with the one for flute or violin and harp which is built in the same fashion, with an introduction in g minor followed by the Gutenberg Variations in G Major.

The harp part has 13 pages with fingerings and pedals markings.

The flute or violin part has 3 pages and stays indentical to the original.

Les Berceaux  ( « Cradles ») is the n°1 of Three Melodies op.23 by G. FAURE, originaly composed for voice and piano.

The piano part has been arranged for harp by harpist Sophie Clavel, with fingerings and pedal markings in syllables .

The flute part remains the same as the voice part. It can be performed on the violin as well.

The harp part is on 3 pages and the flute part on one.

Listen on youtube: https://www.youtube.com/watch?v=wkQW4D7NDXI

The Three Melodies op.23 by G. FAURE, is originaly composed for voice and piano.

The harp part has been arranged  by harpist Sophie Clavel, with fingerings and pedal markings and has 11 pages.

The flute part is identical to the voice part and has 3 pages.

Listen on youtube: https://www.youtube.com/watch?v=wkQW4D7NDXI

Le Secret  ( « Secret ») is the n°3 of the Three Melodies op.23 by G. FAURE, originally composed for voice and piano.

The piano part has been arranged for the harp by harpist Sophie Clavel, with fingerings and pedal markings in syllables .

The flute part remains the same as the voice part. It can be performed on the violin as well.

The harp part is on 3 pages and the flute part on one.

Notre Amour  ( « Our Love») is the n°2 of the Three Melodies op.23 by G. FAURE, originally composed for voice and piano.

The piano part has been arranged for harp by harpist Sophie Clavel, with fingerings and pedal markings in syllables .

The flute part remains the same as the voice part. It can be performed on the violin as well.

The harp part is on 5 pages and the flute part on one.

Listen on youtube:https://www.youtube.com/watch?v=wkQW4D7NDXI

A beautiful arrangement by harpist Sophie Clavel. This Intermezzo is a great addition to the romanic repertoire for french horn and harp.

The harp part has 3 pages with fingerings and pedals markings.

The french horn is on1 page and stays indentical to the original.

This valse is the 3rd mouvement from the Suite de Trois Morceaux op.116.

Harpist Sophie Clavel has carefully arranged this romantic piece with fingerings and pedals markings.

The harp part has 12 pages and the flute is unchanged and is on 4 pages. 

This valse is the 3rd mouvement from the Suite de Trois Morceaux op.116.

Harpist Sophie Clavel has carefully arranged this romantic piece with fingerings and pedals markings.

The harp part has 12 pages and the flute is unchanged and is on 4 pages.

This pleasant Gigue has been arranged from a piano part.

It can be played as an encore piece after a programme of 18th century pieces for exemple.